“The House That Jack Built” (2018) is a psychological horror art film written and directed by Lars von Trier. Known for his provocative and often controversial works, von Trier creates a disturbing narrative that explores the mind of a serial killer named Jack, played by Matt Dillon. With a strong supporting cast including Bruno Ganz, Uma Thurman, and Riley Keough, the film delves into dark themes of morality, violence, and the nature of evil, all set against a surreal and haunting backdrop.

The film follows Jack, a highly intelligent but deeply disturbed man who, over the course of several years, commits a series of brutal murders. As he reflects on his actions, Jack narrates his story to a mysterious figure (voiced by Bruno Ganz), whom he refers to as “Virgile,” who listens and offers a philosophical commentary on Jack’s journey. The film is divided into five “incidents,” each highlighting a different murder, revealing both Jack’s escalating violence and his delusions of grandeur. These murders are depicted with graphic violence and are often presented in an almost detached, methodical manner, adding to the chilling atmosphere.

Matt Dillon’s portrayal of Jack is both unsettling and complex. He plays the character as a cold, calculating, and eerily self-aware individual who views his murders as artistic creations, much like constructing a house. Jack’s lack of remorse and his intellectual justifications for his actions reflect his detachment from humanity, making him a deeply disturbing figure. Dillon captures the character’s darkness and psychopathy, portraying a man who is both repulsive and fascinating. His interactions with the mysterious Virgile add layers of complexity to the narrative, as Jack constantly questions his own actions and his relationship to the concept of art and evil.

The film’s visual style is one of its most distinctive elements. Von Trier combines stark, brutal imagery with moments of surrealism and metaphor. Each murder is depicted in a way that emphasizes the grotesque nature of Jack’s actions, while also linking them to his larger, existential quest for meaning. The cinematography is visually striking, with the use of contrasting colors, shapes, and symbols that reflect Jack’s twisted worldview. The graphic violence, while shocking, is portrayed in a detached, almost clinical manner, further heightening the sense of unease.

“The House That Jack Built” also features a series of philosophical dialogues between Jack and Virgile that explore the nature of evil, art, and human suffering. These discussions touch on themes of guilt, punishment, and the concept of transcending one’s humanity. Virgile serves as a voice of moral questioning, contrasting Jack’s complete indifference to human life. These moments of philosophical reflection add an intellectual dimension to the film, forcing the audience to grapple with the uncomfortable ideas presented about violence, creation, and the artist’s role in society.

The film’s cast includes a range of notable actors, such as Uma Thurman, Sofie Gråbøl, and Jeremy Davies, who each play roles that interact with Jack’s darker side. Uma Thurman, in particular, delivers a memorable performance as a victim who becomes part of Jack’s artistic vision, while other characters are caught in his twisted world. The ensemble cast brings depth to the film, portraying the various ways in which Jack’s violent tendencies manifest and affect those around him.

In conclusion, “The House That Jack Built” is a disturbing and thought-provoking exploration of the mind of a serial killer, blending elements of horror, philosophy, and surrealism. Lars von Trier’s direction and script challenge the audience to confront uncomfortable truths about the nature of evil, the human condition, and the role of art in reflecting society’s darkest aspects. With Matt Dillon’s chilling performance and a striking visual style, the film is a bold and controversial work that leaves a lasting impact, making viewers question the boundaries between art, morality, and monstrosity. While it may not be for everyone due to its graphic content and unsettling themes, it is a film that will provoke deep reflection and discussion long after the credits roll.